SOS (The Song of Songs)
Please Note: In light of the global health crisis due to COVID-19 and following the Governor’s executive order restricting public gatherings, this performance is cancelled to protect the health and safety of all.
Ticket-holders will be contacted by the Box Office and issued full refunds.
“One of the most extraordinary events involving Russian contemporary music and theater.”
- NEWSru (Russia)
Created by Moscow-based artists Vera Martynov and Ekaterina Antonenko with composer Alexey Sysoev, SOS (The Song of Songs) is a staged cantata featuring two narrators, a percussionist, and 14 singers from the acclaimed Intrada vocal ensemble. Taking its name from the standard Morse code signal of distress and drawing from the poetic Old Testament text Solomon’s Song of Songs, this innovative hybrid performance work explores experiences of personal and global tragedy, offering a meditation on love and loss.
SOS is made possible with generous support provided by M.ART Foundation.
Major support for BAC’s presentation of SOS is provided by Trust for Mutual Understanding.
Vera Martynov started out as a set designer at the Russian Theatre Academy where she co-founded the Krymov Lab in order to develop a new theater language.
Martynov spent three years as the Gogol Centre’s main stage designer, working alongside Kirill Serebrennikov. She set designed two plays: The Idiots and The Martyr. Martynov was invited by the Theatre of Nations, where she became the Chief Curator of New Space Moscow, developing an experimental cross-disciplinary space. At the end of its first season, New Space Moscow was named Project of the Year by the 2017 Innovation: State Contemporary Art Award Competition. In 2014–2019, Martynov also created a series of large site-specific installations and performances. The Little Match Girl Passion, based on David Lang’s eponymous piece (Gogol Centre, New Space Moscow); Eternal Russia, an art piece, based on the Russian Revolution (HAU), To Be Eternally Preserved, a museum-theater project chronicling the nationalisation of tsarist property following the October Revolution (Manege Central Exhibition Hall).
Photos: Irina Polyarnaya