She is the co-founder of Dmitry Krymov Laboratory, where she worked as a scenographer, costume designer, and performative artist from 2004 to 2013. Martynov was also a resident at Robert Wilson’s Watermill Center in 2012 and 2013. She has garnered numerous awards for her work, including the Innovation, State Award in the field of contemporary art (Project of the Year), the Golden Triga of the Prague Quadrennial, Edinburgh International Art Festival award (with the Dmitry Krymov Laboratory), and the Golden Mask Award for Best Set Designer. Martynov taught at Moscow Art Theatre School, the Russian Academy of Theater Arts (RATI/ GITIS), and the British Higher School of Design in Moscow and Higher School of Economics (HSE). She graduated from the Scenography Department of the Russian Academy of Theater Art (RATI/ GITIS) in 2008, as a student of Dmitry Krymov.

Intrada regularly collaborates with leading European orchestras and musicians, such as Il Giardino Armonico and Giovanni Antonini, Le Poème Harmonique and Vincent Dumestre, The Tallis Scholars and Peter Phillips, Frieder Bernius, Hans-Christoph Rademann, Peter Neumann, Jean-Christophe Spinosi, and others. The ensemble has represented Russia at European music festivals including the Dresden Cultural Forum (2015), The Dresden Music Festival (2017, 2019), Musikfest Erzgebirge (2016), a concert series of Kultur in the legendary Wartburg Castle (2018), International Congress for Choir Conductors in Paris (2016), and Lausitz-Festival (2019). Intrada also premieres works of 20^th and 21^st centuries, including the Russian premiere of Mass for Double Choir (a cappella, by Frank Martin) and the Moscow premiere of David Lang’s The Little Match Girl Passion. In 2017, the ensemble became the first to perform of the compositions of Klaus Lang, Franck Christoph Yeznikian, Vladimir Rannev, Alexey Sysoev, and Arman Gushchyan along with the Russian premiere of Requiem by Jean Richafort at the international vocal music festival Opera Apriori. In 2014, a joint concert by Intrada and Peter Phillips, dedicated to the memory of Sir John Tavener, took place at the Great Hall of the Moscow Conservatory, featuring the second world performance of Tavener’s Requiem Fragments (with solo soprano Julia Lezhneva).

From 2003 through 2008, he continued his musical education at the Moscow P.I. Tchaikovsky Conservatory, and in 2008 he became a postgraduate student and PhD in History of Arts. Sysoev’s music is performed at many Russian and international festivals and events, including the Moscow Forum, the Pythian Games (St. Petersburg), Another Dimension (Moscow), and Europe Through the Eyes of Russians/Russia Through the Eyes of Europeans (Moscow), Territory (Sochi, Kazan, Moscow), World Music Days 2008 (Vilnius), Schleswig-Holstein Musikfestival (Kiel), 45' Internationale Ferienkurse Fur Neue Musik (Darmstadt), Schumannfest (Düsseldorf), Klangspuren festival (Schwaz), Transart festival (Bolzano), the Venice Biennale, La Folle Journee (Nantes, Tokyo), Festival Ljubljana, KlaraFestival (Brussels), Culturescapes (Basel), Gaudeamus Muziekweek 2014 (Utrecht), Noorderzon Performing Arts Festival (Groningen), and more. Sysoev’s music has been released by labels including Creative Sources, FancyMusic, Melodia, Tawpot, Spina! Rec, and Moscow Conservatory Records. As an improvising musician, Sysoev collaborates with many international composers and performers. He has created music for theatrical productions of Kirill Serebrennikov, Boris Yukhananov, Philip Grigoryan, Vadim Zakharov, and Gay & Rony Club (Holland). In 2013, he won the Golden Mask National Theatre Award for the best work by a musical theatre composer.