Runs the Gamut: Exploring the Creative Legacy of Merce Cunningham
Merce Cunningham Dance Company alum Silas Riener and undergraduate dance students present a performance and lecture-demonstration of Cunningham’s technique and compositional tools of chance procedure and indeterminacy. Led by Riener, this new generation of dancers will showcase the legendary choreographer’s groundbreaking contributions to the field, and reveal the possibilities that emerge through new experiments.
This event culminates a series of workshops led by Riener for the student participants, who are from The Ailey School, Harvard University, The Juilliard School, and NYU’s Tisch School of the Arts.
This project is supported through the Cage Cunningham Fellowship, established in 2015 for artists who demonstrate John Cage and Merce Cunningham’s commitment to artistic innovation. In recognition of Cunningham's centennial celebration in 2019, the 2018-19 Cage Cunningham Fellowship extends the award to five artists including Silas Riener.
Lead support of dance programming at BAC is provided by the Rudolf Nureyev Endowment.
Major support for dance programming and activities provided by the Mertz Gilmore Foundation, Harkness Foundation for Dance, Dance/NYC’s New York City Dance Rehearsal Space Subsidy Program, made possible by The Andrew W. Mellon Foundation, and the New York State Council on the Arts.
This event is part of the Merce Cunningham Centennial. Centennial Community Programs are generously supported by the Doris Duke Charitable Foundation. Major funding for the Centennial is provided by the Merce Cunningham Trust, the Paul L. Wattis Foundation, the Howard Gilman Foundation, the American Express Foundation, Judith Pisar, and The Gladys Krieble Delmas Foundation.
Silas Riener graduated from Princeton University in 2006 with a degree in Comparative Literature and certificates in Creative Writing and Dance, with a focus on Linguistics. As a dancer he has worked with Chantal Yzermans, Takehiro Ueyama, Christopher Williams, Joanna Kotze, Jonah Bokaer, Rebecca Lazier, Tere O'Connor, Wally Cardona, and Kota Yamazaki.
He has an ongoing collaboration with sculptor Martha Friedman. He was a member of the Merce Cunningham Dance Company from November 2007 until its closure at the end of 2011, and received a 2012 New York Dance and Performance Award (Bessie) for his solo performance in Cunningham's Split Sides. While performing with MCDC, Riener completed his MFA in Dance at NYU's Tisch School of the Arts (2008). Riener was the movement designer for the architecture and design firm Harrison Atelier in 2012/2013. Since 2010 he has collaborated with choreographer Rashaun Mitchell. Together they have been part of Lower Manhattan Cultural Council's Extended Life Dance Development program, the New York City Choreographic Fellowship, and have been artists in residence at EMPAC, Mount Tremper Arts, Wellesley College, Jacob's Pillow, and Pieter. His work with Mitchell has been presented at EMPAC, The Walker Art Center, MCA Chicago, On The Boards, BAM, Wexner Center for the Arts, The Kennedy Center, SFMOMA and The Joyce Theater, among others. Riener’s work has also been curated at EMPAC, The Serpentine Pavillion, Danspace Project, Architecture OMI, CATCH, as part of LMCC's River to River Festival, The Chocolate Factory, and the BFI Gallery.
Anna Finke, Liza Voll, Walker Art Center