Israeli company Roy Assaf Dance makes its New York debut with a program of intricate and nuanced works: Six Years Later is a duet meditating on a mysterious connection, and The Hill, a powerful all-male trio, is inspired by the experiences of war veterans. One of the most sought-after emerging choreographic voices today, Assaf has received commissions from companies across the globe, including Batsheva Dance Company, The Royal Swedish Ballet, National Dance Company Wales, and LA Dance Project.
Roy Assaf Dance's premiere U.S. tour, with partnering performances at Baryshnikov Arts Center (NYC), CityDance (Bethesda, MD), and Dance Place (Washington, DC), is made possible through the ArtsCONNECT program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Generous support has also been provided by the Israel Institute, Washington, D.C. and Israel’s Office of Cultural Affairs in North America. Lead support of dance programming at BAC is provided by the Rudolf Nureyev Endowment. Major support for dance programming and activities provided by the Mertz Gilmore Foundation, Andrew W. Mellon Foundation, and Harkness Foundation for Dance.
Soldier Dances, From a Land Pervaded by the Military
IMPRESSIONS: Roy Assaf Dance's New York Premiere at Baryshnikov Arts Center
In the Studio: Roy Assaf On His Greatest Fears as a Choreographer

Roy Assaf
Roy Assaf was born in 1982 in the rural community of Sde Moshe in southern Israel. In 2005, Assaf created his first work, We Came for the Wings, Stayed Because We Couldn't Fly, as part of the Shades In Dance competition in Tel Aviv. The work won the Judges Choice and Audience Favorite awards. From 2006 through 2009, Assaf worked as assistant choreographer to Emanuel Gat, developing new works and restaging existing repertoire around the world.