Past Performance
Baryshnikov Arts Center Presents

Anne Teresa De Keersmaeker / Rosas

Verklärte Nacht (N.Y. Premiere)

Jan 30-Feb 3, 2019

"If one thing distinguishes her oeuvre, it’s the rich, intoxicating friction between human architecture and expression," says The New York Times on celebrated Belgian choreographer Anne Teresa De Keersmaeker.

Verklärte Nacht (Transfigured Night) is set to composer Arnold Schönberg's late romantic score based on an 1866 poem by Richard Dehmel about a woman who confesses to the man she loves that she is pregnant with another man's child. 

Originally choreographed in 1995 for an ensemble, this 2014 reconstruction is derived from a process of reduction, concentrating the poem’s dramatic structure in an evocative dance for three performers from which the narrative lines and expressive modulations emerge.

Lead support of dance programming at BAC is provided by the Rudolf Nureyev Endowment.

Major support for dance programming and activities provided by the Mertz Gilmore Foundation, Harkness Foundation for Dance, Dance/NYC’s New York City Dance Rehearsal Space Subsidy Program, made possible by The Andrew W. Mellon Foundation, and the New York State Council on the Arts.

Rosas is supported by the Flemish Community and by the BNP Paribas Foundation.

Review: Torrents of Emotion in a Dance Dish Served Cold

Anne Teresa De Keersmaeker / Rosas – Verklärte nacht – New York

Transfigured Night

Passionate Whirlwind

Anne Teresa De Keersmaeker

IMPRESSIONS: Anne Teresa De Keersmaeker/Rosas "Verklärte Nacht" at Baryshnikov Arts Center

Anne Teresa De Keersmaeker
Artist Bio

Anne Teresa De Keersmaeker

In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. 1960) created Asch, her first choreographic work. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich.

De Keersmaeker established the dance company Rosas in Brussels in 1983, while creating the work Rosas danst Rosas. Since these breakthrough pieces, her choreography has been grounded in a rigorous and prolific exploration of the relationship between dance and music. She has created with Rosas a wide-ranging body of work engaging the musical structures and scores of several periods, from early music to contemporary and popular idioms. Her choreographic practice also draws formal principles from geometry, numerical patterns, the natural world, and social structures to offer a unique perspective on the body’s articulation in space and time. In 1995 De Keersmaeker established the school P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels in association with De Munt/La Monnaie.

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