Baryshnikov Arts Center

Baryshnikov Arts Center Presents

Ain Gordon with Josh Quillen: Pick Up Performance Co(s)

Radicals in Miniature (World Premiere)
May 16-24, 2017


"Ain Gordon haunts the margins of history…conjur[ing] the sort of distant lives that don’t make it into textbooks, processed into oblivion by what he calls history’s ‘ruthless editing machine.’”
- The New York Times

Radicals in Miniature is a series of textual-sonic odes to personal icons of 20th century “alternative” culture that lost their toehold on immortality and (in the pre-Internet era) their place in public memory. Conjuring years between 1967’s Summer Of Love (not everyone’s “love”) and 1982/83, when The New York Times finally published the word ”AIDS,” Radicals is performed by 3-time Obie Award winner Ain Gordon and Sō Percussion's Josh Quillen, theatrically annotating our cultural record via alternative requiems to the undersung: punk drummer David Hahn, dance reveler Elaine Shipman, club performer John Sex, disco artist Sylvester, and more.

Radicals in Miniature follows two prior collaborations from the work’s co-creators: Where (we) Live (2012) and A Gun Show (2016)—both directed by Gordon and performed by the acclaimed ensemble Sō Percussion. In Radicals, Gordon makes his first stage appearance since the acclaimed Off-Broadway production Spalding Gray: Stories Left To Tell.

Radicals in Miniature was created in collaboration with dramaturge Talvin Wilks. Lighting design is by Jennifer Tipton. Projections are by Ed Fitzgerald and Nick Ryckert.

The work was developed, in part, during a Spring 2015 residency at BAC.


Artist Bio
Ain Gordon

Ain Gordon

Ain Gordon is a three-time Obie Award-winning writer/director/actor, a two-time NYFA recipient and a Guggenheim Fellow in Playwriting. Gordon’s work has been seen at BAM Next Wave Festival, New York Theatre Workshop, Soho Rep., The Public Theater, 651 ARTS, Dance Theater Workshop, Performance Space 122, Baryshnikov Arts Center, HERE Arts Center, and Lower Manhattan Cultural Council (all NY); the Mark Taper Forum (CA), the George Street Playhouse (NJ), Vermont Performance Lab, Flynn Center for the Performing Arts (VT), Krannert Center (IL), the Kitchen Theatre (NY), OnStage at Connecticut College, MASS MoCA, the Baltimore Museum of Art (MD), DiverseWorks (TX), Spirit Square (NC), VSA North Fourth Arts Center (NM), Jacob’s Pillow (MA), LexArts (KY), and Dance Space (DC), etc.

Gordon’s 2003 work; Art Life & Show-Biz; A Non-Fiction Play, is published in Palgrave Macmillan’s Dramaturgy Of The Real On The World Stage. Collaborations: with Sō Percussion presented at the Walker Art Center (MN), BAM Next Wave Festival (NY), River To River (NY), and Philadelphia Fringe, etc; with Samita Sinha at American Dance Institute (MD) and PS122 COIL Festival (NYC); with Emily Johnson/Catalyst Dance at Northrop (MN), NYLA, On The Boards (WA), and ODC (CA), etc; with Bebe Miller at the Wexner Center (OH), Myrna Loy Center/Helena Presents (MT), and Bates Dance Festival (ME), etc; with David Gordon at American Repertory Theatre (MA), American Conservatory Theater (CA) and American Music Theatre Festival (PA). Gordon appeared in the original Off-Broadway cast of Spalding Gray: Stories Left To Tell and toured the production to venues including UCLA, Portland Institute for Contemporary Art (OR), ICA Boston (Elliot Norton Award nom), the Walker (MN), and New Territories (UK), etc. Gordon also wrote for NBC’s Will & Grace. Gordon’s work has received support from Jerome, Greenwall, the National Endowment for the Arts, New York Stage Council on the Arts, Department of Cultural Affairs, AT&T, MAP (four times), ART NY, Mellon, Foundation for Contemporary Performance Art, and NPN among many others. Gordon is a former “Embedded Artist” at the Historic Society of Pennsylvania, former Core Writer of the Playwright’s Center (MN), former Resident Artist at the Hermitage (FL), was the inaugural Visiting Artist at the Pew Center for Arts & Heritage (PA), and a 2014 Artist-In-Residence at NYU Tisch School of The Arts. Gordon is Co-Founder of the Urban Memory Project and has been Co-Director of the Pick Up Performance Co(s) since 1992.

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Artist Bio
Josh Quillen

Josh Quillen

Josh Quillen has forged a unique identity in the contemporary music world as all-around percussionist, expert steel drum performer (lauded as “softly sophisticated” by the New York Times), and composer. His collaborations with other composers frequently incorporate the steel drums as a core element. A member of the acclaimed ensemble Sō Percussion since 2006, Quillen has performed at Carnegie Hall, the Brooklyn Academy of Music, The Lincoln Center Festival, Stanford Lively Arts, and dozens of other venues in the United States. In that time, Sō Percussion has toured Russia, Spain, Australia, Italy, Germany, and Scotland. He has had the opportunity to work closely with Steve Reich, Steve Mackey, Paul Lansky, David Lang, Matmos, Dan Deacon, and many others.

Quillen started performing on the steel drums at Dover High School in Ohio, an interest that continued at the University of Akron, where Dr. Larry Snider founded one of the first collegiate steel bands in the United States. He traveled to Trinidad & Tobago in 2002, performing with the “Phase II Pan Groove” ensemble under Len “Boogsie” Sharpe. This interest in the traditional steel drum music of Trinidad ran in parallel with Quillen’s education in western music, first at Akron, and then at the Yale School of Music with marimba soloist Robert Van Sice, where he received his Masters degree in 2006.

These parallel interests led Quillen to break ground in the use of the steel drums in contemporary classical music. To date, he has commissioned over a dozen pieces for steel drums from composers such as Stuart Saunders Smith, Roger Zahab, Dan Trueman, and Paul Lansky. In 2010, Steven Mackey’s quartet It Is Time – commissioned for Sō Percussion by Carnegie Hall and Chamber Music America – featured Josh on a new microtonal lead pan in its Carnegie Hall premiere, receiving rave reviews in The New York Times.

Quillen’s compositions for Sō Percussion are featured in Imaginary City, an evening length work that appeared on the Brooklyn Academy of Music’s 2009 Next Wave Festival, as well as the site-specific Music for Trains in Southern Vermont. Other ensembles to play his pieces and arrangements include Matmos, PLork, The Janus Trio, Adele Meyers and Dancers, The University of Akron Steel Band, and the New York University Steel Band.

An avid educator, Quillen is a performer-in-residence at Princeton University with Sō Percussion, as well as co-director of the Sō Percussion Summer Institute, an intensive workshop for college-aged percussionists on the campus of Princeton University. He is also co-director of the percussion program at the Bard College Conservatory of Music, and is the director of the New York University Steel Band.

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